"Mit Katzeninhalt" (Short)
"Mit Katzeninhalt" (Short)

Director: Justine Bauer Shot on: ARRI Alexa Classic I Ultraprime Lenses I Aspect ratio 1,78: 1 I Prod. Company: Academy of Media Arts Cologne

"The invisible cloth" (Short)
"The invisible cloth" (Short)

Director: Paula Abalos Shot on: ARRI Alexa Classic I Zeiss High speed lenses Prod. Company:Academy of Media Arts Cologne & Academy of Fine Arts Leipzig

"The invisible cloth" (Short)
"The invisible cloth" (Short)

Director: Paula Abalos Shot on: ARRI Alexa Classic I Zeiss High speed lenses Prod. Company:Academy of Media Arts Cologne & Academy of Fine Arts Leipzig

The invisible cloth (excerpts)

Director: Paula Abalos Shot on:ARRI Alexa Classic I Zeiss High speed lenses Prod. Company: Academy of Media Arts Cologne & Academy of Fine Arts Leipzig

"Warten bis schwerelos" (Short)
"Warten bis schwerelos" (Short)

Director: Carmen Rivadeneira Shot on: ARRI Alexa Classic I Zeiss High Speed Lenses I Aspect ratio: 1,78: 1 Prod. Company: Academy of Media Arts Cologne

"Warten bis schwerelos" (Short)
"Warten bis schwerelos" (Short)

Director: Carmen Rivadeneira Shot on: ARRI Alexa Classic I Zeiss High Speed Lenses I Aspect ratio: 1,78: 1 Prod. Company: Academy of Media Arts Cologne

"Exploitation, or how to break the surface" (Video Installation 5 screens)
"Exploitation, or how to break the surface" (Video Installation 5 screens)

Artists/Directors: Paula Ábalos, Emerson Culurgioni, Charlotte Eifler, Deborah Jeromin, Mikhail Tolmachev, Clemens von Wedemeyer Shot on: RED Epic W Helium I ARRI Ultraprime Lenses Prod.Company: Studio Clemens von Wedemeyer

"Exploitation, or how to break the surface" (Video Installation 5 screens)
"Exploitation, or how to break the surface" (Video Installation 5 screens)

Artists/Directors: Paula Ábalos, Emerson Culurgioni, Charlotte Eifler, Deborah Jeromin, Mikhail Tolmachev, Clemens von Wedemeyer Shot on: RED Epic W Helium I ARRI Ultraprime Lenses Prod.Company: Studio Clemens von Wedemeyer

"Exploitation, or how to break the surface" (Video Installation 5 screens)

Artists/Directors:Paula Ábalos, Emerson Culurgioni, Charlotte Eifler, Deborah Jeromin, Mikhail Tolmachev, Clemens von Wedemeyer Shot on:RED Epic W Helium I ARRI Ultraprime Lenses Prod.Company:Studio Clemens von Wedemeyer

"Milch ins Feuer" (Feature)
"Milch ins Feuer" (Feature)

Director: Justine Bauer Shot on: ARRI Alexa Classic I Ultraprime Lenses I Aspect ratio 1,33: 1 I Prod. Company: Academy of Media Arts Cologne

"Milch ins Feuer" (Feature)
"Milch ins Feuer" (Feature)

Director: Justine Bauer Shot on: ARRI Alexa Classic I Ultraprime Lenses I Aspect ratio: 1,33: 1 I Prod. Company: Academy of Media Arts Cologne

"Milch ins Feuer" (Feature)

Director: Justine Bauer Shot on: ARRI Alexa Classic I Ultraprime Lenses I Aspect ratio 1,33: 1 I Prod. Company: Academy of Media Arts Cologne

"Mit Katzeninhalt" (Short)
"The invisible cloth" (Short)
"The invisible cloth" (Short)
The invisible cloth (excerpts)
"Warten bis schwerelos" (Short)
"Warten bis schwerelos" (Short)
"Exploitation, or how to break the surface" (Video Installation 5 screens)
"Exploitation, or how to break the surface" (Video Installation 5 screens)
"Exploitation, or how to break the surface" (Video Installation 5 screens)
"Milch ins Feuer" (Feature)
"Milch ins Feuer" (Feature)
"Milch ins Feuer" (Feature)
"Mit Katzeninhalt" (Short)

Director: Justine Bauer Shot on: ARRI Alexa Classic I Ultraprime Lenses I Aspect ratio 1,78: 1 I Prod. Company: Academy of Media Arts Cologne

"The invisible cloth" (Short)

Director: Paula Abalos Shot on: ARRI Alexa Classic I Zeiss High speed lenses Prod. Company:Academy of Media Arts Cologne & Academy of Fine Arts Leipzig

"The invisible cloth" (Short)

Director: Paula Abalos Shot on: ARRI Alexa Classic I Zeiss High speed lenses Prod. Company:Academy of Media Arts Cologne & Academy of Fine Arts Leipzig

The invisible cloth (excerpts)

Director: Paula Abalos Shot on:ARRI Alexa Classic I Zeiss High speed lenses Prod. Company: Academy of Media Arts Cologne & Academy of Fine Arts Leipzig

"Warten bis schwerelos" (Short)

Director: Carmen Rivadeneira Shot on: ARRI Alexa Classic I Zeiss High Speed Lenses I Aspect ratio: 1,78: 1 Prod. Company: Academy of Media Arts Cologne

"Warten bis schwerelos" (Short)

Director: Carmen Rivadeneira Shot on: ARRI Alexa Classic I Zeiss High Speed Lenses I Aspect ratio: 1,78: 1 Prod. Company: Academy of Media Arts Cologne

"Exploitation, or how to break the surface" (Video Installation 5 screens)

Artists/Directors: Paula Ábalos, Emerson Culurgioni, Charlotte Eifler, Deborah Jeromin, Mikhail Tolmachev, Clemens von Wedemeyer Shot on: RED Epic W Helium I ARRI Ultraprime Lenses Prod.Company: Studio Clemens von Wedemeyer

"Exploitation, or how to break the surface" (Video Installation 5 screens)

Artists/Directors: Paula Ábalos, Emerson Culurgioni, Charlotte Eifler, Deborah Jeromin, Mikhail Tolmachev, Clemens von Wedemeyer Shot on: RED Epic W Helium I ARRI Ultraprime Lenses Prod.Company: Studio Clemens von Wedemeyer

"Exploitation, or how to break the surface" (Video Installation 5 screens)

Artists/Directors:Paula Ábalos, Emerson Culurgioni, Charlotte Eifler, Deborah Jeromin, Mikhail Tolmachev, Clemens von Wedemeyer Shot on:RED Epic W Helium I ARRI Ultraprime Lenses Prod.Company:Studio Clemens von Wedemeyer

"Milch ins Feuer" (Feature)

Director: Justine Bauer Shot on: ARRI Alexa Classic I Ultraprime Lenses I Aspect ratio 1,33: 1 I Prod. Company: Academy of Media Arts Cologne

"Milch ins Feuer" (Feature)

Director: Justine Bauer Shot on: ARRI Alexa Classic I Ultraprime Lenses I Aspect ratio: 1,33: 1 I Prod. Company: Academy of Media Arts Cologne

"Milch ins Feuer" (Feature)

Director: Justine Bauer Shot on: ARRI Alexa Classic I Ultraprime Lenses I Aspect ratio 1,33: 1 I Prod. Company: Academy of Media Arts Cologne

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